The meta-idea of ​​the project is an alternative form, as if shoes were an organic, nascent soul that could decompose and reappear, participating in the stages of biological cycles. The artist moves away from traditional ideas about rebirth and remembers that shoes are our connection with the Earth, they help our feet find a place and connect with it. Man walked on all fours, then stood on his feet - and shoes became an evolutionary symbol of upright walking.

Objects are filled with epoxy resin – this is one of the best ways to document their condition in processing, other than photographs. The object becomes alive inside, but at the same time, at the moment of its growth, the state on a specific day and hour is preserved forever. The conservation of the natural development process is an attempt to think about immortality. What would happen if the body was eternal and the organic would never decay again?

In an elementary sense, the body will leave, because we are on the verge of a singularity, a large computer, and will move into complete digitalization. When everything becomes completely digital, there will be nothing to decompose.
But then how will the earth, soft soil, exist, what will the biogeocenosis of the future be like? What will happen next?

Exhibiting the living object is always an intriguing game, growing and developing through the whole period it will bring a value to ideas of cyclicality and temporality
of an organic object.

The audience could experience different stages of growth in a concrete period of time, with no turning point.

“An inhuman agent, a new Venus feeding mushroom milk, wilting to be reborn. Or will she stay like this forever?

Authors reflection on the topic of maternal instinct dysfunction in the digital age, as well as emotional starvation and new versions of corporeality, which have yet to be met. An exact copy of the author's mammary glands, a special nutrient medium, microorganisms transplanted from the surface of the body, 4 days of cultivation, room temperature”.

This is based around an algorithm that allows you to capture every change in the Bitcoin exchange rate and reproduce a sound signal at a frequency of 528 Hz that can be heard through an amplifier. A connected petri dish with colonies of bacteria taken from the body of the artist and from paper money symbolizes a living system.

Like a digital heartbeat and the pulsation of cerebrospinal fluid inside the body (liquor), a non-human agent becomes a test subject in a complex system of relationships between the digital and the organic. Every signal in the form of an electric discharge penetrates the colonies, affecting their growth function and forever changing their nature. Creation period: Start February 17th, 14:30 / Finish February 21st, 10:30. Conditions: 20C, high humidity, lightening by natural change of day and night.

Human order and programmed pulses of modular sound assemblage affecting livetime the development processes in a restricted space.

Microorganisms transformed into experimental objects, helping to shed a light on the phenomena of an ideal and completeness of the action.

Loosing its traditional function of decomposing agents, microbial ecosystem exposed into the experimental synthesis of biology and physics, where sound becomes one and the only element of control and a guarantor
of the preservation of the environment.

The viewer plays the role of an observer, exploring the putrefying  and how to escape beyond any limited, controllable, possible.

Ideas of contexts and meanings loosing their power, when two completely opposite artistic ensembles uniting to born the new system of symbiotic relations.